The Eight Principles Of Total Quality Management Information Technology Essay

The Eight Principles Of Total Quality Management Information Technology Essay Total Quality Management is a process that ensures continuous improvement for an organisations future. It is a management system with customer satisfaction as a continual goal. It is TQMs goal to integrate a sense of quality into the culture of how an organisation is run. It hopes to merge different internal branches of an organisation (finance, Communications, RD etc.) and link them all with quality being their main goal, with a view to continual customer focus. This system of management contains 8 principles which are vital in implementing this strategy into an organisations culture. These principles combined with effective leadership should result in a company doing The Right Things Right, First Time. TQM stems from the principle that It is easier to control systems than it is people. Companies depend on their customers to keep them in business. It is essential that a company can keep their customers happy by ensuring that the products received are fit for their intended use. It is also very valuable if a company can foresee future customer needs to ensure they keep the customer base in the future. Here the company can ensure that all its new objectives are customer satisfaction based and can later apply measuring techniques to see if their approach is effective (customer surveys etc.) Leadership Total quality should be adopted into the culture of the organization so proper leadership should create an environment where this is possible. The objectives should be clearly laid out with an emphasis on customer satisfaction. A leader should ensure that all employees are fully aware of their importance to the organisation and should eliminate fear and promote trust. Involvement of People Every person within the organisation must be utilized for their specific skills so everyone is contributing to the organizations goals. This helps create a sense of unity and purpose and leads to a better working environment. This leads to people being accountable for their work and serves as a baseline for quality. It involves people sharing ideas and practices and leads to better trouble shooting. Process Approach The objectives should be clearly outlined and all personnel should be aware of hoe the process will be managed and undertaking. This removes the waste of resources and ensures all efforts are placed on defined essential tasks. This helps increase the rate of work and processes are finished faster. If the process has been properly defined and it has to be repeated, the exact same system can be used as it has been documented and this will further increase efficacy of the work in the future. Systems Approach to Management If you can define interrelated systems, they can be correlated and run under one management guise. Running these various operations under one system leads to more effective work and allows the system to be monitored more easily and have data compiled on the systems efficacy. Through this monitoring continual improvement can be scored and documented. By aligning different departments within an organisation, more focus can be placed on key goals and confidence in the work will be widespread. This can lead to greater results faster. Continual Improvement This is to be a permanent goal for every process undertaken within the organisation. By training staff to use the various continual improvement tools available, a company can leap on an improvement opportunity before others. This could possible open up a new customer market that was previously unavailable. Factual Approach to Decision Making Decisions should be made based on analysis of sound data and intensively researched information. This removes poor decision making from an organisation and sets a baseline for decision making in the future. This can also help the ability to demonstrate how effective past decisions were by checking factual data. The factual data can help access the outcome of the decision and help removes decision making based on intuition alone. Mutually Beneficial Supplier relationship A relationship based on mutual benefits is very healthy and ensures that both parties have each other interests in focus. This will help create value for both companies if some parameters are set correctly. Open communication must be maintained and key objectives and future plans must be known to both parties. If both parties can pool their resources and both have a strong view towards customer satisfaction then waste of resources can be minimised and activities can be improved on both sides. Implementing TQM: TQM is a complex management system that will require a lot of input from all people involved in the company. However, the most important initiating step is to get full commitment from the companys senior management. Without this a proper plan cannot be devised and TQM will not work. A quality team or quality council must be set up among senior managers. Here ideas can be exchanged and improvements to specific parts of the company devised. Here it will also be decided who is to implement certain changes and a system of quality reporting must also be set up. There should be a quality improvement team and also a quality planning team set up. These teams should contain people who represent all areas of the organisation and have a high standard of knowledge of their individual departments. It is essential that the individual department are not run separately, but rather as one large system to ensure full communication remains and key objectives can be achieved faster. Once senior management have become involved the next step is to make middle management aware of the transition. This will involve meeting between middle management and the personnel who report to them. Here all staff will be educated about the forthcoming move to TQM and a series of plans will be set in motion. Here the staff should constantly retrain and each department should develop new experts to keep a focus on continual improvement. A mission statement of the organisations quality policy is a great way to start. From here a series of plans and a systematic approach can be developed to convert the companys operations to one of total quality. This change is very serious and without full commitment and proper planning can fail easily. The first thing a company must do is assess their current state. Here a management audit is a valuable tool and can easily identify the companys health. If the company is in poor health (quality standards low, reactive decisions, and poor managerial skill) then TQM will be near impossible to implement. However, if a company can agree that its current level of management, organisational culture and work ethos are suitable to TQM, then the process can develop from here. Benefits of TQM: Once an organisation has been converted to a system of total quality management, the organisation may be able for ISO 9000 accreditation. This is an internationally recognized standard of quality that has a major impact on how your organisation itself and the process that are undertaken are viewed by the public/possible customers. Having this accreditation will also greatly benefit the organisation from a financial point of view. Getting insurance for large companies can a massive financial burden and being ISO 9000 approved means you are more likely to be insured. This will help protect the organisation from possible liable action. The main benefits internally are a new streamlined system for operations. Increased workmanship due to work ownership/accountability and this leads to constant quality. Increased readiness for the future market and a removal from a reactive decision making process and overall improved stability within the market and increased staying power. Disadvantages of TQM: A main concern of implementing total quality management is the initial set up cost. Here employees will have to attend training that will take away from their usual duties and cause a dip in productivity. Due to all the changes implementing TQM will cause, there is a school of thought that thinks employees will doubt the security of their positions. This may lead them to becoming resistant to change and as a result, slow down the implementation stages and the efficacy of TQM. The results which are desired from TQMs implementation may also take years to see, this can lead the employees feeling that their input was of little use and the project was a waste of time. TQM can also tie a business to a certain set of plans that may span years. This can lead the company down an inflexible route when it comes to future prospect and developments. Instead of the company continually focusing on the goals TQM was supposed to tackle, the main focus in put on finishing the implementation stage. As a result, the company ends up with a major organisation change but the highlighted problems still exist and more time will have to be delegated to solving these at a later time. This again all leads to a drop in current productivity and the business retains its previous efficacy with no notable improvements being recognisable.

Development of Reality TV Genre

Development of Reality TV Genre How are reality TV shows constructed and how do they challenge ideas about the television audience? Everyone has to have come across a reality television show, at least once while watching television, since the genre has become one of the most popular genres of television programming in our contemporary society and keeps on becoming more and more enjoyed by people worldwide. Ever since this, considerably new, television genre has appeared a lot of changes in the ways of entertainment, television programme constructions and audience studies have been noticed. That is why several studies have been contacted around the genre, in order to better identify and explain it, in relation to the audience and other media theories. The views around it between scholars though, are divided, between the ones who support the genre and ‘others who consider it to be voyeuristic, cheap, sensational television’ (Hill, 2005). Regardless of the two opinions, the reality genre becoming one of the most discussed subjects in media studies is a fact and in this essay I will try, based on several academics’ research, to identify what the reality genre is, how it was developed through the years, from what programmes it has originated, which subgenres it has produced and how those subgenres influence the television programme production today and finally, how the reality genre’s concepts challenge several ideas about the audience reception, taking into consideration the latter’s point of view. It is undeniable that television has a big impact on the ways people spend their free time and each genre of television programmes has its own impact on audiences and society, with probably the reality genre being the most controversial one. Due to several studies around and different opinions about the genre there is no specific definition about it. It is generally thought to be the genre which documents unscripted, real-life situations of ordinary people (Hill, 2005). The genre is more focused on drama and entertainment contexts rather than simply educating the audience, since it usually encompasses unscripted dramas, games, tasks and just about any competitions that make it more fun to watch. Reality television genre first appeared during the 1950’s as a new form of factual television and social record for post-war observers, based on Allen Fund’s work in 1947, which was a reality television series called Candid Camera focused on hidden cameras that filmed ordinary people facing unusual situations (similar to the latter Just for Laughs: Gags). Even though some people viewed this technique as an invasion of privacy, others viewed it as a ‘valuable educational visual record’ (Murray and Ouellette, 2004) and thus the genre continued to develop. The growth of tabloid journalism, documentary television and popular entertainment during the 1980s, influenced the reality genre even more, resulting in new hybrid programming, developing reality television as we know it today (Hill, 2005). Studies around reality television have become an important concept in media research, since the ways in which the genre works influence new types of audience gratifications, as well as media effects, due to the way they are constructed. Usually, reality television shows are directed by segment producers or story editors, who assemble storyboards and shooting scripts to make the shows happen. Since these people are not acknowledged by the Writers Guild of America as normal writers, they cost less than what a drama writer would cost (Hill, 2005). Additionally, since no actors or sets are required for reality shows to be made, the cost of production is much cheaper than the majority of other television genres, which explains why they are so famous and massively produced. In order for a reality show to be produced and eventually successful though, certain aspects need to be taken into consideration. People tend to get easily bored of a television programme and can easily switch off their television or change to another channel. In order to keep them interested, reality shows need to have highly marketable concepts and subjects to gain their audience’s attention. Catchy titles that provoke conversations and smart catch-phrases, which tell you exactly what to expect to watch but at the same time intrigue your curiosity and imagination, are usual characteristics of such shows. Reality television shows also need to provide exactly what their name suggests, ‘reality’. Focusing more on storylines containing elements of competition, potential for conflict, tasks, winning prizes, reality show producers aim to capture real-life situations about ordinary people, exactly how they happen in front of the camera. Usually, in every reality show there is a host who or a voiceover that explains to the audience what is going on, who they are watching and what they will be doing during the show. In order to convince the audience that what they are watching is real and unscripted, they attempt to stimulate real life situations and reactions from the people who participate in the shows and by surveillance with cameras, they make the private life visible to everyone. The idea of non-actors or professionals participating in each show and the non-scripted presentation of events make reality programmes an unpredictable source of entertainment for the audience and the idea is enhanced by the fact that people feel like they are active participants in these situations, removing them somehow from being a passive audience. One of our era’s most popular reality show has been the singing competition series Idols (also known as Superstar), which first aired in the UK in 2001. Equipped with all the basic reality show elements, such as mass auditioning of ordinary, non-famous people, audience participation with people voting their favourite artists from home, unscripted dialogs and reactions by the participants, as well as the judging panel, live per formances, backstage drama and marketable concepts, the show has come across huge success worldwide. The main purpose of the programme is to discover the ‘idol’ in each of its series, with that idol being the most talented singer who competes in the show. Auditions are held and the judges choose the participants, who eventually compete with each other during live performances and the winner is announced after only two singers are left in the show and the one with the most votes, from the audience and the judges, wins a money prize and a recording contract. Even though the reality formats share some common elements, the genre in general is made up of various diverse and distinctive subgenres that resulted from the mixture and hybridization of other prior, original programmes and it is this hybridization of successful genres that gives reality television its strong market values. Influenced by genres such as soap opera, documentary, sports or competition shows, reality genre is a very broad category and therefore it is quite hard to understand reality television ‘without considering its place within the context of other types of audio-visual documentation’ (Hill, 2005). As a result, there are several subgenres of reality television programmes such as, docu-dramas, game shows, dating-based competitions, self-improvement /makeover shows, hidden camera shows or talk shows. Docu-soaps or ‘fly-on-the-wall’ documentaries are the combination of the traditional observational documentary television with soap opera and they create a fictional setting to represent a series of events, with cameras set up to follow unscripted situations as they happen. The film crew is not seen or acknowledged by the reality stars and contrawise to traditional documentaries, which are often limited to one episode, docu-soaps span as a series of episodes, edited and scripted to follow normal people’s lives. A British example of a docu-soap, is the ‘fly-on-the-wall’ documentary series called Airport, which was aired between 1996 and 2008, based at the London Heathrow Airport. The series followed the daily activities of passengers and staff of the airport. The dramatic behind the scenes plot and some memorable recurring characters, gave the show its docu-soaps feel. Make over shows such as Extreme Makeover, feature real people who present their own situations and life stories to explain why they are in need of a self-transformation. Extreme Makeover aired between 2002 and 2007 in the USA, with people volunteering to receive complete makeovers, including plastic surgery, exercise programmes, hairdressing and wardrobe renovation by beauty ‘experts’. Screened in three major parts; before, during and after the makeover shows like that focus on beauty and outer appearance in order to enhance people’s self-esteem. Also, the elements of surprise by the family members, who cannot see their relative until the end of their transformation, enhance the audience’s curiosity and excitement. Another successful reality television subgenre is the talk show genre, with programmes such as The Oprah Winfrey Show or Dr. Phill. Shows like that feature a host who interviews guests or discusses a chosen topic using the studio as a platform to inspire, educate or entertain the audience, usually offering people, who watch fro m their homes, the chance to call and express their opinions about the topics discussed live. Probably though, the most popular subgenre of reality programmes is the game show genre, with shows such as Survivor and Big Brother, which have had huge success worldwide over the years. With Survivor featuring isolated contestants in the wildness who compete against each other for money and other prizes and Big Brother, featuring a group of people known as ‘housemates’, living together in a specially constructed house, isolated from the outside world and competing with each other, facing weekly evictions in order to win a cash prize, both shows are based on competition and elimination concepts. Each episode of each show has the contestants faced against certain tasks, building up suspense and ensuring that the audience will watch until the very end to see the final result. With the participants being under 24 hour surveillance and all their actions observed, the audience can relate to them and decide who they like and who they do not. Generally, reality television is one of the most popular television genres and with all its subgenres falls under the category of factual television, which documents non-fiction television programming and actual real life events. The fact that reality shows create a mixture of information and entertainment concepts for their audience is generally known as infotainment and is also another factor of the genre’s worldwide success (Hill, 2005). Apart from the ways reality television works though, it is also important to identify its success taking into consideration the audience’s point of view and how this genre challenges specific ideas about it. In the past, television asked only that people would sit back and relax, as scripted dramas, sitcoms or documentaries supplied passive entertainment and education. Reality television on the other hand, offers audience participation and shortens the distance between television celebrities and viewers. It is no wonder then that ‘one of the reasons the reality genre has been so powerful in the television market, is that it appeals to younger adults in particular’ (Hill, 2005). The reason is that people enjoy watching the elements of drama and competition of reality shows, since they can easily get attached to some of the characters, relate to them and feel part of their actions. They like to know what goes on behind closed doors, they find it intriguing and reali ty shows give them the chance to satisfy their curiosity. Also, reality shows reflect a freedom of speech that was not there before, since people can now comment about what they do and do not like about a show or a character and also change the outcome of a show with their votes. But no matter how much viewers enjoy the various reality formats, they are also distrustful of the authenticity, precisely because they know that the people’s stories are presented to them in an entertaining manner, and because of that they are sceptical about how staged and scripted those stories are. There have also been several critiques and arguments about the reality genre and most of them are focused around the ‘reality’ of it, since the ways in which these shows reflect reality are questionable. The detractors of the genre claim that the reality of it is inaccurate, since the dialogs or situations presented are staged and scripted by the producers, or even the choosing of the participants in each show is done specifically, in order for certain participants to have high chances of engaging into conflict with each other. Also, producers can attempt to stimulate several events to present them as real, with various formats or editing techniques, which can create different degrees of ‘reality’ (Hill, 2005). For example, the way particular environments, related to each show, are unreal, because of how they are specifically constructed by the producers for the needs of the show or how the day by day activities, tasks or competitions that participants face are also controlled by the production team (e.g. the large house of Big Brother, or the tasks of the Survivor participants). Other critiques focus around how certain shows, like The X-Factor: Auditions for example, depend on humiliating and exploiting participants that might not be as talented or suitable to be on television, in order to increase the ratings of the show, or depend on the show’s voyeuristic elements, such as performances of intimate elements in public, in order to satisfy some viewers’ needs to observe other people’s lives (Bagdasarov et al. 2010). Also, some shows rely on stereotypes along with humiliation of participants, resulting to more criticism about them. A famous incident of people judging someone on their appearance instead of their talent is Susan Boyle’s audition (YouTube) for the reality programme Britain’s Got Talent in 2009. By the time she had set food on the stage, the audience, as well as the judges, were expecting her to have no talent and make a fool of herself, because of her modest introduction on the stage and her age. But after she started singing and proved to be extremely talented, everyone was applauding in shock. Stereotyping is a usual element of reality shows and many people criticize the genre for having a negative cultural impact, since such notions and ideas are easily spread and absorbed by society, especially if they come from the most popular television shows. Additionally, based on Blumler and Katz’s (1974) uses and gratifications approach, the audience is active and able to select the media content that, based on their gratifications, will satisfy their needs. Therefore, their viewing motives can help the television programme producers predict activity (Godlewski and Perse, 2010). Also, reality television seems to fulfil the alleged, by the uses and gratifications approach, audience needs, which are surveillance, personal relationships, personal identity and escapism. That way they provide a type of show suitable for everyone’s taste. Based on the aforementioned research though, how real can reality television formats be considered and what does the genre’s huge success show about how the audience responds to it? If people enjoy watching reality television programmes then they are also aware of how they can be edited to appear real and authentic to them, when in fact they are not. They are able to identify what they perceive to be good and bad programming and they are not usually watching reality shows to educate themselves about several subjects or understand more about the world. On the contrary, people watch reality shows to entertain themselves, to relax after a tiring day, to laugh and to feel intrigued and excited. They know that the more ‘real’ and entertaining a show appears to them, the less real and authentic they believe it to be (Hill, 2005), therefore they observe the participants of these shows in order to witness how people handle awkward situations and social dilemmas in front o f cameras. All things considered, it is undeniable that the reality television genre is still one of the most popular genres today and even if audiences are aware of the genre’s illusion of reality, it still has a big appeal on them because it amuses them and because of its entertaining and relaxing concepts. For a short period of time, people can feel like a part of the show, a little closer to being the celebrities and the stars of television. Therefore, scripted or not, real or not, the reality genre will continue to be successful and as television programmes continue to develop and allow more interaction between the programmes and their audiences, it is very important that research around the interactive forms of reality television, which encourage increased audience activity, continue to be contacted. BIBLIOGRAPHY Godlewski, Lisa R., and Elizabeth M. Perse. Audience Activity And Reality Television: Identification, Online Activity, And Satisfaction. Communication Quarterly 58.2 (1976): 148-169. Hall, Alice. Viewers Perceptions Of Reality Programs. Communication Quarterly 54.2 (1976): 191-211. Hill, Annette. Reality TV: Audiences And Popular Factual Television. London: Routledge, 2005. Murray, Susan, and Laurie Ouellette. Reality TV. New York: New York University Press, 2004. YouTube,. Susan Boyle Audition HD FULL. N.p., 2015. Web. 08 May 2015.

Molecule may be key to nicotine addiction :: essays research papers

A single molecule may be partly to blame for nicotine’s addictive allure, a finding that researchers say could lead to potential therapies to help millions of smokers quit a life-threatening habit. More than 4 million people around the globe — 440,000 of them Americans — die from smoking-related causes each year. And, the nicotine-laced smoke damages more than just their lungs. The California researchers not only pinpointed a molecule responsible for nicotine addiction, they also created specialized mice to make it easier to search for other molecules impacted by nicotine addiction. The research team started by fiddling with a single gene to create mice that were hypersensitive to nicotine. The genetically engineered mice were tripped up by the tiniest exposure to nicotine — a concentration 1/50th of the strength of nicotine coursing through a typical smoker’s blood. Once hooked, the mice experienced classic signs of nicotine dependence that keep smokers puffing, the research team reports Friday in the journal Science. â€Å"Dependence-related behaviors, including reward, tolerance, and sensitization, occur strongly and at remarkably low nicotine doses† in the mice, the research team wrote. In humans, reward arrives as a pleasant little jolt of dopamine, a calming brain chemical unleashed by nicotine. The body’s tolerance for the drug leads to more smoking. Sensitization means not feeling good without a nicotine fix, said Henry Lester, a biology professor at the California Institute of Technology who was among the paper’s 10 authors. In mice, researchers saw reward when mice chose nicotine hits over salt, changed body temperatures as evidence of tolerance and more running around among sensitized mice. Other researchers praised the study. The findings â€Å"not only provide direct evidence of how nicotine promotes dependence, but also raise fundamental questions about the genetics of addiction,† researchers at the Centre Medical Universitaire, in Geneva, Switzerland, wrote in a companion piece. Could drugs fight addiction? If the findings in mice hold true for humans, the work points to a specific target for a new drug to attack, others suggest. People become dependent on nicotine when it parks in nerve cell receptors designed for the chemical acetylcholine. Once nicotine fills that space, dopamine is released. By knowing the specific parking place where nicotine can exact a high toll, a drug could be fashioned to fill it. â€Å"The power lies in the ability to be so specific. In being so specific, you can treat the cause without the ramifications of the side effects,† said Stephen L.

Essay --

Scott Weaver GHS 205 06 11/29/2013 Medicine in China Chinese medicine has a tradition dating back thousands of years, but in recent years it has changed drastically. The influences of Western medicine, Communist ideology, and other government policies have been the force behind this evolution. Since 1950, Chinese medicine has been standardized and transformed into a mostly state-run program that integrates both traditional Chinese medicine and the more scientific, modern style of Western medicine. During this transition, traditional Chinese medicine struggled to find its place in the new Communist society. Today, multiple medical techniques have been blended together which allow the Chinese to receive top-notch healthcare, while retaining their culture and tradition. Medicine in China has been practiced for thousands of years. Archaeologists have found traces of Chinese medicine dating back to the 16th Century B.C. during the Shang Dynasty. "In Shang era ruins, scholars found particles of seeds still used extensively in Chinese medicine and stone-crafted instruments resembling surgical tools. They also found the first medical records on oracle bones" (Medical Journal). Traditional Chinese medicine combines multiple methods including herbal remedies, acupuncture, cupping, moxibustion, and mind-body therapy. Chinese medicine was highly connected to the spiritual world. Chinese medicine is based on "the ancient Chinese perception of humans as microcosms of the larger, surrounding universe—interconnected with nature and subject to its forces" (NCAAM). Concepts from Daoism, Confucianism, and other schools of Chinese thought found their way into the philosophy and theory of medicine. "Qi, for example, which meant air or breath, ca... ... to practice using Western medicine. When interviewed, many doctors have come to find that "if someone died in your care and you had relied on Chinese medicine alone, no authority would defend you against accusations of neglect. If you used only Western medicine, no one would dare blame you". In China, patients are given many treatment options, and it is ultimately up to them to decide their preferred treatment. This dynamic of multiple healthcare practices is unseen in the rest of the world. In all, Chinese medicine has changed rapidly throughout the last sixty years. The influences of Western medicine and Communist ideology have created a plural healthcare system which is nonexistent in the rest of the world. Medicine in China has become more modern and scientific, while at the same time retaining the culture, traditions, and philosophies of the Chinese people.

Comparison of To His Coy Mistress and An Answer to a Love Letter :: Love Letters Poetry Poems Essays

Comparison of To His Coy Mistress and An Answer to a Love Letter These two poems are meant to be a love letters written by a man to a lady of higher disposition and an answer to that love letter, written by that lady. The first, written by Marvell is written is telling her 'Carpe Dieum' - or 'Seize the Day' this phrase sums up his poem, as that is what he is telling her to do all the time. This is shown by the way he has structured his piece he starts of explaining what they could do if they had all of the time in the world "We would sit and think which way to Pass our long loves day." This means that they would just spend the whole time talking and planning their life because he says our long loves day and in the context it could mean their life (as they will love forever, therefore all their life will just be one day full of love) then he goes on to say that although he would like to do this they cannot as they will eventually die "Times winged chariot hurrying near Thy beauty shall no more be found" He uses this imagery to show how time (death) is creeping up on them but fast, as in on a winged chariot. Then, in the logical fashion he comes up with a solution that they should "Roll all our strength and all Our sweetness into one ball." This could just means that they should 'get together and become one, possibly through matrimony or having a child hence ball. It could be a euphemism for having sex. However in Montagu's poem she uses a different argument. At first she says that he is seeing a false impression of her because of all the flattery at the beginning, then saying 'but leaving her-'tis me you pursue'. She is complimenting his wife (as the man I s already marries) trying to persuade him that his life at the moment is much better as he has a wife and money and would be stupid to leave that behind. Then she starts getting really aggressive and offensive against mankind, likening them to pug dogs, "Why should the poor pug (the mimic of your kind) Wear a rough chain and be to a box confin'd?" This is meant to be an immense insult against mankind- likening them to simple dogs, that to be fair are quite ugly and just sit on a lap to be stroked all day. In saying this she infers that men have no use but to 'be'. In the next line she begins to give you an idea about why

The Wife of Bath

Madison Roan English 2332-CO1 Professor Heaslip Nov 18, 2012 Week 12 Alyson undoubtedly was a self-assured woman in the pilgrim expedition and her numerous marriages and declaring how she dealt with her husbands through sexual influence and trickery. However, I believe that Alyson perhaps was a realistic character of metropolitan woman with certain prosperity in the medieval England. I consider that Chaucer was justly attempting to define Alyson realistically and founded her on what he saw of actual women with her qualities in the London during his time.Alyson is what woman truly wants to be, however; don’t convey their true feelings. The Wife of Bath contradicts with everything a woman was back then. I believe that similar the additional characters in the Canterbury Tales, The Wife of Bath was intended to display how culture actually was through irony and drama. The Wife of Bath's Tale is voiced from a woman's position. She demonstrates in her story that the entity women most yearn is whole control over their husbands.It is said how she had the greater influence in all of her marriages. The Wife of Bath tells a tale of love, passion and enchantment. The Knight's Tale flawlessly portrays the character of a Knight: That is, he chooses love, righteousness, chivalry, and exploration. His story spoke of two cousins and brothers, who were embodied by the desire of one woman, Emily. They are both different when it comes to the women of the tales over the overall point of the stories are the same; love, passion and magic. Read also: â€Å"My Ideal Wife†

Johnny Got His Gun

Melanie Gonzalez English ll March 25, 2012 Miss Hartman Johnny Got his Gun Ever wondered what it’s really like to be in war? Welcome to reality and welcome to Joe’s reality. Joe is a living, breathing, and perfect example of what war is and the effects of it. Some say, Joe might as well not even be living. In Johnny Got His Gun, Trumbo uses three rhetorical strategies; imagery, rhetorical questions, and mood and tone. Through imagery, we envision the reality of war. Through mood and tone, the author writes in such a way that creates a certain feeling towards war as well as towards Joe.Through rhetorical questions, the author leaves us thoughts to ponder on. Imagery is one of the strategies that appeal to all of our senses. Trumbo does a great job in portraying the realities and encounters of war. Trumbo carefully describes war by using spine-tingling examples. For example, in chapter XII, Joe mentions a young Englishman walking through a field and falling into a decompo sing man. The young man couldn’t get out, and he threw up, still with his arm completely lodged in the rotting flesh of what used to be a living, breathing human being.Just the way that Joe describes the situation, it sends chills running down your spine! I suddenly felt as if I was the one who had fallen through the dead man. This is just one of the many traumatizing encounters of the war. Also, in chapter XII, a man with an open-view stomach was brought to be treated. Just imagine that? I don’t think I would’ve been able to bear the sight of a person’s organs out in the open. Imagery allows us to visualize the painful, physical horrors of war.Trumbo appeals to our emotions in a way that makes us feel like we are physically in the war and what Joe must be feeling. Mood and tone is the key to how a reader feels and the way authors express themselves. The mood is depressing while the author expresses a negative tone towards war. Joe strongly dislikes that he is being forced to fight for something without meaning. This becomes depressing as more stories and encounters are told. Trumbo persuades the reader that war is basically just a place where men are sent to die.The tone stays the same throughout the whole book unless Joe mentioned or talked about Kareen, his girlfriend. Whenever Joe talked about her, it was like little by little; everyday he was getting farther and farther away from her. The mood and tone of a book always has a different outcome on the reader’s reaction to the story. It’s used to create a sense of emotion in such a way that you feel as if you were living within the characters. Last but not least, rhetorical questions. Trumbo uses and repeats many questions, leaving the reader to ponder upon.Joe continuously asks, what is honor? What is decency? What is freedom? Doesn’t that leave you thinking? Joe is told that a war is fought for freedom and liberty and to show honor for your country and to di e honorably. But who’s idea of honor or decency or freedom? It releases an anti war message. It becomes very powerful throughout the book. Joe starts questioning many aspects of the war as I mentioned before. Trumbo makes it seem as if we were in Joe’s mind or asking ourselves these same questions.In conclusion, I would’ve never come to realize the true, gruesome horrors of war if it wasn’t for this book. What difference does it make for soldiers dying on the frontlines for their country? Killing the opposing army? Or giving up your life when you don’t even know exactly what you’re fighting for and who knows if you’ll ever benefit from it? Imagery, mood and tone, and rhetorical questions have played a big role throughout this book. It’s incredible how the song of WW2 Johnny get your gun was motivating, convincing, and inviting. However, Johnny got his gun and he lost.