'Citizen Kane – innovative techniques Essay\r'

'Citizen Kane, a unsullied Ameri female genitals dramatic fool, is considered to be the ultimate classic masterpiece and the world’s most(prenominal) famous and highest rated assume, as it is bedded the number one best film of all time. It was the first movie Orson Welles, a theatrical genius, co-wrote, directed, and produced at only an come on of twenty-five eld. The subject of this movie is the living of Charles Foster Kane, known as Citizen Kane, which is contend by Welles himself. Dating tail end to 1941, Citizen Kane set a high commonplace for the art of cinematography as it do cinematic advances and technical innovations on umpteen fronts. A new style of film do was created with innovations varying from the engross of heavy focus technique, camera positions and tip offs shots, story notice and aural techniques.\r\nThe most innovative technical aspect of Citizen Kane is the extended social function of thickheaded focus technique which is considered to be the most significant contri moreoverion to cinematography. This technique allowed him to word-painting settings with as mush clarity as suck ups, as opposed to having only the battalion and things in the foreground in focus. such(prenominal) a technique is noticed in the barb where Kane’s parents are take discussing his future while he’s seen by means of the window in the foreground playing outside in the snow.\r\n thick-skulled focus makes possible for the film noble to showcase overlapping simultaneous actions, where the mise-en-scène becomes more significant since the physical milieu in which the film takes place should be then taken into account. Besides, is it important to government note that the cast members that Welles’s had chosen for his film had never make a movie before and were all classically trained theatrical actors. Their theatrical background played an important role and had an jar on the success of techniques like kabbalist ic focus, since actors were placing themselves firmly in each picture.\r\nMoreover, another(prenominal) unorthodox method utilise in the film was the low-angle shot. This technique tends to elongate a soul or object, making him or it seem more important. They were used to march a position facing upward, olibanum showing ceilings in the background of the scene. much(prenominal) camera positions and angles were important in Citizen Kane, since they had delicious and psychological effect. That technique gives an added power to the person on the screen, which turned out to be Kane for most of the scenes.\r\nIt intimidates the viewers since they found themselves in the inferior position of looking up. In fact, it is that excessive use of those shots that bent Kane and made him grotesque to our responsiveness. In addition to that technique, we consume witnessed in the film several scenes which key out characters moving across rooms, and having the floors and ceilings moving with them. This odd technique tends to dehumanize the characters by plunging and trim down them to some ornaments in a shimmy or moving architecture.\r\nWelles in addition carried over creative story telltale(a) techniques, from flashbacks to techniques that relate consequent episodic sequences. What is meant by the latter is the making of adjacent scenes on a homogeneous set, but having the characters changing their costumes and make-up during the lead in amongst the two scenes. In this way, the following scene would be fetching place in the same kettle of fish of the previous one but at a time long later on the previous cut. On the other hand, flashbacks were greatly used in the film: telling Kane’s life story in all in flashbacks was another innovative move up to storytelling.\r\nOther types of cinematic advances are the aural techniques, which were definitely related to Welles’s experience with sound from radio. Sound effects were intensively but skilfully used in the film to create moods and emotions, such as the cold echo perceive at the monumental library, in the scene which put on view the reporter and the daunting librarian. In addition to climbing the potential of sound as a producer of moods and emotions, we witness in Citizen Kane a remarkable aural innovation, known technically as the lightning-mix, which is used to link between different scenes via related continuous serial of sounds or phrase. Here, the continuity of the soundtrack, not the image, gives a smooth seamless narrative wipe out between two different scenes. To lucubrate that technique, we can recall, in the beginning of the film, the scene where the guardian of Kane, who was still a child, wishes him a â€Å"Merry Christmas”, after which we suddenly jump to a shot of Kane, fifteen years later, hearing â€Å"and a Happy unused Year”.\r\nIn addition, Welles had many others innovative techniques such as the use of glasses and mirrors which can be seen through out the movie, to enhance the effect of the movie. We can recall the last scenes of the film where Kane is unexpended alone, where in one of the scenes; he passes in front of a set of mirrors in the background of the set. Besides, Welles’s use of lighting and shadow was impressive, having camera set-ups intentional to frame characters in the oblique angle of light and shadow created by their environment.\r\nFinally, we cannot but admit that Citizen Kane introduced Hollywood to the inventive, creative and ample potential of cinematic techniques. All the section of visuals, special effects, sounds and screenplay shows innovative techniques. The art of filmmaking was immensely affected by the technical importance of Orson Welles.\r\nBibliography\r\nhttp://en.wikipedia.org/wiki/Citizen_kanehttp://www.sparknotes.com/film/citizenkane/section2.rhtml\r\n'